The Wedding Present Live in Toronto and Documentary Premiere of Something Left Behind

The Wedding Present Live in Toronto and Documentary Premiere of Something Left Behind “The album always gives you that shot of what you need” “Simply the...

Duncan Jones’ Mute: No Words

By Jacqueline Howell, Disarm Editor I urge you to set aside two hours this weekend to watch the best film since 1982's Blade Runner of...

Black Panther Review: All Power to the Picture

Marvel Strikes Black Gold with their Latest Hit By Patrick O'Donnell Despite constant critiques by film industry detractors of audience fatigue and superhero saturation in the...

Three Billboards Outside Ebbing, Missouri Is A Comedy About Despair

By Simon Broder There are no heroes in writer/director Martin McDonagh’s latest film, 3 Billboards Outside Ebbing, Missouri. The film, superficially an examination of the...

An open letter to Noah Baumbach upon viewing The Meyerowitz Stories

Dear Noah, Please excuse this voice from the chorus of your fans coming out of the dark. I just finished watching The Meyerowitz Stories (New...

Loving Vincent Review

In cinema’s infancy, colorists, largely female, were engaged to chemically bathe or painstakingly stencil celluloid images in an attempt to add grace notes of...

The Meyerowitz Stories Review

The Meyerowitz Stories, director Noah Baumbach’s latest is a delight, playing like a blend of Woody Allen’s sharp New York set comedy dramas and...

Women, Weinstein, Hollywood & Twitter: A Primer

By Jacqueline Howlett A breakdown on Weinstein, Hollywood, the currency of gossip, what it means to one writer to be a film fan / woman. Remember...

IT Movie Review

Imagine for a moment; try to reflect deeply on all the human ideas that started out as all-in-all good intentions that turned out completely...

Shudder – Netflix’s darker, cooler cousin

Horror is by far the strangest and most subjective type of film. Many dislike it, not enjoying the sensation it elicits or having trouble...

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